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1885-?, Allemagne
Following the death of his father, Gustav grows up in a Catholic orphanage. At twenty-six, he leaves Germany and moves successively to Italy and Spain, and then France, where he is living on the outbreak of WWII. As a German national, he is placed in an internment camp, where he starts writing and drawing. Suffering from delirium, in 1942 he is transferred to a psychiatric hospital where he continues to produce his art. Prophetic in scope, his drawings deal in a personal mythology interlarded with events from history and the Bible, two subjects he also addresses in his writings.
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L'Art Brut de Jean Dubuffet, aux origines de la collection [Jean Dubuffet's Art Brut, the origins of the collection], directed by Sarah Lombardi, with texts by Sarah Lombardi a.o., Lausanne, Paris: Collection de l'Art Brut, Flammarion, 2016, 224 pp, 170 color illus., bilingual French/English.
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Michel Thévoz, Pathologie du cadre, préface de Sarah Lombardi, Paris, Les Éditions de Minuit, 2020, 160 pages.
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