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1827-1914, Suisse
Of German origin, Joseph Heuer has jobs as a cabinetmaker and bookbinder, and works ruling registers before embarking on an army career. For unknown reasons, he is interned in 1860 in the asylum at Vernets, where he remains for forty years. He is subsequently transferred to the Bel-Air institution, where he confines himself to his room to draw and write. The artist’s topographies are based on memories and elements of geography and military tactics.
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L'Art Brut de Jean Dubuffet, aux origines de la collection [Jean Dubuffet's Art Brut, the origins of the collection], directed by Sarah Lombardi, with texts by Sarah Lombardi a.o., Lausanne, Paris: Collection de l'Art Brut, Flammarion, 2016, 224 pp, 170 color illus., bilingual French/English.
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The Art Brut Fascicle N°03, 18 x 24 cm, 150 ill. black/white or color, about 160 pp. Since 1964 to 2013.In French. One fascicle CHF 30.-
Price Complete collection, 25 fascicles (N°2 - N°26) : CHF 720.-
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Through the work of nearly a hundred contemporary artists and Art Brut personalities, the exhibition Scrivere Disegnando and the catalogue Ecrire en dessinant explore writing’s shadow side. A terra incognita where arabesques, reiterated marks, scribblings, compulsive writings produce “meaning” in a field outside of language by becoming axioms of the unspeakable, of what is unfathomable in the soul as well as in language.
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Through the work of nearly a hundred contemporary artists and Art Brut personalities, the exhibition Scrivere Disegnando and the catalogue Writing by Drawing explore writing’s shadow side. A terra incognita where arabesques, reiterated marks, scribblings, compulsive writings produce “meaning” in a field outside of language by becoming axioms of the unspeakable, of what is unfathomable in the soul as well as in language.
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